2021 oil on pre-stretched canvas
A secret place whereby no words can explain. Subconscious, positive mental energy.
2019 oil on canvas
I always loved the Roman Art from Auvergne because inside these churches we can come back to ourselves, and find ourselves within. Vielle Brioude is a Roman church from Auvergne that I find magnificent in its colors and proportions. I have visited it for twenty years.
2020 oil on canvas
Boats are my main theme in painting for a long time, because I find the structure very poetic. Boats also évoque a sense of travel both within and outside on the waters, witnessing nature.
2020 acrylic, spatula on plywood
2017 mixed media on canvas
Masquerade, composizione di forme geometriche con colori scuri, è il contraltare di Arabesque. Anche qui il riferimento è alla civiltà italiana, ricca di tradizioni culturali che sono contenitori di ricchezza e storia. Il metro quadro è alla base della creazione artistica per l’equilibrio geometrico e coloristico.
2021 Oil Painting on Canvas (Surrealism)
Reason in itself is simply an abstraction, only when combined with the intangible, the confusion, the insanity does it turn into reality.
2010 pastel on paper
… e nel mio cuore. Voglia di non ‘essere’
2016 mixed media
La figura umana è frammentata, moltiplicata, diviene epifania della complessità del “in interire homine”, percorso da pensieri che si fondono con le emozioni, gli stati d’animo, i vissuti in una molteplicità tessuta insieme senza riduzioni. Si tratta della coincidentia oppositorum che sempre siamo, oltre alle apparenze.
2021 mixed media
Il Big Bang non ha fatto nemmeno il più infimo rumore.
(Segno che i più grandi eventi si svolgono nell’assoluto silenzio).
All’improvviso l’universo si è espanso sperperando negli sterminati spazi, colori in infinite forme.
Ed a distanza di 14 miliardi d’anni da quel epocale fenomeno, Vi è dovuto a lui ogni dinamica della nostra vita di oggi, fino alla più piccola sfumatura.
2021 mixed media
Avatar, il mio corrispondente, con un balzo liberatorio lascia l’armadio dei pensieri.
È fuori, nell’aria e nella natura. Agisce per me.
È la mia fantasia, forse placherà la mia furia.
È fuori.
Fuori nell’aria e nei colori.
C’è anche un’ombra inquietante, ma non la considera.
Emette un grido stridente e liberatorio.
È quello che da dentro voglio fare, vedere e sentire.
2021 monotipo mixed media
2021 monotipo mixed media
“Tu sei tutti quanti”
E’ lo spazio dietro lo specchio, quello dove esiste la parte più preziosa, l’ombra più scura, il tesoro più antico ed impalpabile che possediamo
“il luogo dove si trovano, senza confondersi, tutti i luoghi della terra, visti da tutti gli angoli” Borges
2021 acrylic on canvas
Childhood memories have an effect on you during your entire life but you can still decide what to do with your life. You choose to be happy or miserable and nobody can take away your dreams.
2019 acrylic on pans
Back to the sign, ripartire dalla constatazione di essere giunti al #groundzero della comunicazione dell’arte nel quale il tutto è afono e privo di autentico significato.
2021 mixed media on wood
Le sensazioni che Dante ci ha tramandato, assolvendo subito la meravigliosa storia di due amanti, sono poi quelle che attraverso la tragedia dannunziana e la poetica di uno Zandonai, giungono fascinose a me nell’angelico finale d’un amore ormai eterno.
2021 photography
2020 collage on canvas
2020 collage on canvas
The reason of my works does not remain on the canvas too specifically, there still has to be space for the viewer‘s imagination.
2021 digital photo collage/acrylic photo
Matter and sound exist in the air as vibrations. I believe that the vibrations of all things and people’s emotions also exist in the same way. I thought that the vibrations of all these things mixed togetherwould be memory. I create my artworks that make collage landscapes I have actually visited and photographed, and my own drawings. I will be exhibiting an artwork titled “reminiscence”, which expresses my own interpretation of “Vibes” by collaging the memories that reside in the various materials that vibrate in the air.
2021 photography,digital editing and digital painting
Malcesine, 2021
La poesia, percorrendo le vie dell’anima, arriva alla propria meta se ogni lettore riconosce in essa le strade delle proprie emozioni e pensieri.
Ogni poesia è un messaggio emotivo che può essere decifrato solo da quei lettori che usano lo stesso alfabeto del poeta.
2020 pastel on paper
Due to the progressive scientific excesses in genetic engineering, I spontaneously came up with the idea to paint the picture “transgenic individual”. This picture is intended to shake you up, because transgenic excesses will be normal in the 21st century.
2017 polymethylmethacrylat / Epoxy
Approximate: the approaching, the aligning, the coming close, the adapting.
In this sculpture, these feelings and dynamics are the focus of attention.
By means of arcitectonic phenomena, the emotions become visible: lines and volumes touch, approach and open up: distance, expanse, approach, the dynamics of a harmonious tension from the dynamics of the forms.
The homogeneous material additionally connects the bodies. The marbling creates an individualisation, a self in the collective.
2021 mixed media
“«WHERE IS THE HOME OF MY BEING?
THE SEARCH IS A COMING HOME.
THE DISTANCE OF EMANCIPATION
ENABLES THE APPRECIATION OF MY
IMPRINTS.
THE SCAR OF MY CENTRE.»”
2019 acrylic on canvas
My works are mysterious and continuously transforming, much like the fantastical world of the
subconscious is ever-evolving.
My creations speak, not only to me, but to people who observe the work and create a story within it.
In this way, the viewer is not a mere spectator but a fundamental part of the work itself.
2021 acrylic colours
The power of excitement makes the result.
2021 oil on canvas
Alda Merini ha vissuto una vita tormentata e deformata, ma nonostante tutto, con quella forza che solo le grandi madri hanno, non ha perso mai il garbo del sorriso e la dolcezza dello sguardo.
2013 3D ADA dimensionsmalerei®
You know, I’m a physican.
And I painted a woman is making sports YOGA. You know yoga? Do you know the “Sonnengruss”?
This woman practiced the second position.
She will given to the sun in the next position.
She will stand up.
And I will say with my painting:
Stand up!
This woman is natural, her body is naked in the air. Her mirror- painting is in the water, an another element.
Stand up must be with all senses! In all elements.
“Tactilus”
The titel means: tactile…
Siehe unten.
3D
This woman is in a cube, when you see through the Chroma Dehpth Brille.
Shi is privat! In a cocon. In a cocon from glas…water..
2021 bartik & lacquers on canvas
First I bring large areas of colour to the picture and than go back into myself with small accentuated splashes of colour and complete the painting! At the end i let more detailed accents flow into the picture with many feelings… to feel inside!! And at the end of the process i break out with ‘pollock splashes’ to finish my painting!
2020 oil on cardboard
In my painting we see the initial moment of life, the sparkle. We are at the beginning of the balance search process. There was nothing yet. At any moment, the explosion may occur.
2021 acrylic with spatula on aluminum
Al centro del ciclone.
Fuori da questo centro, dal centro del ciclone infuria la bufera, ma la bufera spesso non è solo un terribile evento naturale ma è un evento del proprio io. Soprattutto per ora è esterno. Il dramma è quando lo spazio interno e lo spazio esterno confluiscono.
Allora sarò impegnato a competere con altri in un vorticoso ballo circolare.
2021 acrylic on canvas
There is a great correspondence between my work and the theme of the exhibition.My paintings like all the works are inanimate by nature and become dynamic thanks to the other, they live by the sensitivity and the imagination of those who look at them.
2021 oil painting with spatula
Both images reflect the aspect and moment of when I decided to show my work in public for the first time. This for me was a very important but unsettling time as your never sure how your art work will be accepted, and whether it is ‘good enough’. There is also the aspect of comparing ones self to the other artists/peers showing their work and seen if your art work lives up to theirs.
2021 inks, paint, pastels and digital manipulation
‘Free fall’ captures and expresses that fear, lack of control, as though your falling and cant be saved. I’ve tried to capture the feeling of the the first time when you display/show your work and there is silence as the viewer takes in your image and as the artist/ creator your not sure what they are feeling or what their response will be. Will they like it, hate it, see what you see ? That feeling can be awful and feels as though it lasts forever. It’s scary, frightening, nerve wracking as though your falling backwards of a cliff and your stomach goes into your mouth, like no matter what you can’t control it and you don’t know how it’s going to end. The image also shows the inverted self conflict and doubt that the artist feels. I have tried to capture and manifest these feelings into an image that tracks that fall.
2021 inks, paint, pastels and digital manipulation
‘Spinning around’, embodies the same principle of falling but expresses the more controlled enjoyable aspect of displaying/showing your artwork. As with this image, the narrative is expressed and shown as a more floating, elegant and enjoyable process in which the artist fully gives in to the process. As with the ‘Free Fall’ image there is an element of danger/failing but the difference is that artist is fully aware as in ‘Spinning around’ the symbolic artist form is falling and they are able to see where they are going and they aren’t afraid to look, therefore they have some form of control and take enjoyment from the process. Whereas in ‘Free Fall’ the artist is Falling backwards and are unable to see where they are going and have no form of control and are purely ‘Falling’.
2015 gold, paint, enamels
2021 acrylic on canvas
NO JUDGMENT vuole chiaramente fare il verso al Il Giudizio Universale di Michelangelo diventando, con la sua “potenza”, il sunto di tutto mio percorso artistico fino ad oggi. In quel gesto “mutato” si racchiude il mio pensiero su ciò che il mondo da secoli ha riposto la sua vergogna: Il sesso. Il sesso accomuna tutti gli esseri viventi, ed è l’elemento che presenta più tabù, più vergogne, più scandali, più paletti e paranoie. Il mio vuole essere un “consenso Divino” nel amare chi si vuole, senza alcun giudizio, senza alcun pudore, senza vergogna di essere. Amarsi.
2021 polimeric clay
Vuole essere una riproduzione tangibile del percorso di un “breakup” che in una prima illustrazione mostrava il dolore e il senso di vuoto, ma col tempo le cose cambiano e così anche il ricordo di quel dolore, che alla fine rimane un “gioco del cuore” come se ci fosse sempre qualcuno pronto a “giocare” con i nostri sentimenti o che alla fine può essere stato un qualcuno che in realtà li ha sempre protetti. Così la mano ludica e il cuore anatomico
2021 acrylic on canvas
Sometimes the Universe gives you an unexpected gift that you did not even know you needed and this might be a dynamic correspondence with creative forces that engage and enliven a sense of joy and wholeness. This painting ‘Grace’ was this type of unexpected gift, something entirely new, created during an inspiring sonic ritual journey of sacred North Indian Raga music.
2021 mixed media
“The new work deals with un conciseness
side of our brain, existence in its own right,
pure uneven thoughts, mysterious and
twinning roads, landscapes that grow and
die in the same time. I let it all experience
and LIVE.”
Pomigliano D’Arco, 2021
Creare nell’ estasi è entrare in comunicazione con Dio vedere la realtà trasfigurare e plasmare nelle proprie mani e mentre il pennello corre veloce sulla tela cattura l’ispirazione che come brezza del mattino si staglia nella mente.
2021 acrylic and texture on canvas
Movements, reflections, contrast, connections and unity, all represent my painting that I am displaying
2020 mixed media
I created my piece, “2020 Like 52 Pick Up Sticks”, at the pinnacle of turning 52, and after the pandemic year it seemed like I was digging my way out of an odd correspondence and way of life with friends, family, and self as an artist. The obsessive, repetitive, and abstract expressionist mark making is in direct response to the endless repetition of days spent during the pandemic.
2021 acrylic on canvas
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